|
|
|
|
|
KOMITAS STATE QUARTET
WMA/MP3 Recordings Performer | Composer | Instrumental Index [Click here for listening and downloading instructions...] |
|
|
|
The Komitas State Quartet, founded in Moscow in 1924 by a group of young Armenian string players, including two students at the Moscow Conservatory, is the oldest and most famous of all Armenian classical ensembles. The Quartet is named for Komitas (1869-1935), the great Armenian monk-composer (born Soghomon Soghomonian) credited for bringing a renaissance to Armenian music at the turn of the last century, not least through his collection and arrangement of over 3000 Armenian folk songs. Since its foundation, the Komitas State Quartet has specialized in Russian and especially Armenian music, and their interpretations have long been celebrated for their beauty and sensitivity. Particularly well-known are the Quartet's transcriptions of many of the folk tunes arranged by Komitas, whereby this music has reached a large audience outside Armenia. For reasons such as this, the famed Armenian composer Aram Khatchaturian described the Komitas State Quartet as the "jewel of Armenian musical culture." Throughout its history, the Komitas State Quartet has won numerous awards in Russian chamber music competitions, and has performed with celebrated European musicians, such as Sviatoslav Richter, Mstislav Rostropovich, and Emil Guilels. The Komitas State Quartet was also the first Soviet ensemble to perform abroad (1953). The current makeup of the Quartet - first violinist Edward Tatevossian, second violinist Souren Hakhnzarian, violist Alexander Gosemian, and cellist Simonian - is the third full generation of members. Each is a gifted soloist in his own right, and in their hands the reputation of the Quartet has only increased. All members are likewise associated with the Yerevan Conservatory of music. In recent years, they have toured the world, continuing to spread the beautiful works of their namesake, as well as other Russian and European masterworks. We are delighted to include their music here at the Classical Archives, and hope to add further recordings soon.
"We are convinced of the fact that this is one of the best string quartets in the world. Bravo, Komitas Quartet!"
Universale (Mexico)
"It is a remarkable and delightful ensemble; the Komitas Quartet was a real sensation at the festival."
Svenska Tagblat (Sweden)
"Four fascinating princes of violin, viola, and cello soared up to the sphere where reason and emotion merges into the united realms of faith and art. Eduard Tatevosyan, first violinist, who was a pupil of the great Leonid Kogan, and [Mr. Hakhnazarian, second violin] are genuine virtuosi, who are able to express the most sincere messages of classical music."
Le Dauphin Libéré (France)
|
[Last modified on Thursday, 06-Sep-2007 22:30:16 GMT]
|
Classical Archives copyright © 1994-2009 of Classical Archives, LLC. All Rights Reserved. Your usage of this site is an express indication of your agreement to the Archives' Terms and Conditions. It is illegal to copy any element or file without express permission - except as noted. The use of robots and download-accelerators to access any part of this site is expressely forbidden. All media files were received under the understanding that no such file of copyrighted material should be submitted to the Archives without having first received express permission from the recording label, publisher, composer, estate or other copyright holder. This means that you can submit a media file of any public domain music or that of copyrighted compositions if you have the permission from the appropriate copyright holder. Note that this notice refers in particular to the score of the pieces and not to the media files themselves which are copyrighted by their respective creator at the moment of the performance - whether live or step-by-step or mixed. The Classical Archives supports the rights of composers, performers, music publishers, record companies and other rights holders. The Classical Archives features public domain music and performances. As noted above, where a recorded work or performance is not in the public domain, the Classical Archives requires the consent from the appropriate individuals or organizations to include the music on the website. If you have any information indicating that rights to include a performance on the website may be in question, please notify the Classical Archives immediately via our feedback form so that we can promptly investigate and take necessary action. The fact that a media file is in these Archives does NOT mean it is in the public domain or that you can freely copy or exploit these properties. Indeed please refer to the Copyrights Details for information and see the List of Contributors' Email Addresses. Please note further that we do not, in any way, warrant for the accuracy of any material offered in these archives - including, but not limited to, scores and renditions! |
|
|
|